Mata Hari

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Brighton Fringe 2014 PRESS IMAGE Mata Hari BLUE MAN Theatre & cabaret Pedro Ralha“I’ll know how to die.”
Mata Hari, courtesan and exotic dancer, was a notorious and intriguing figure, the most famous femme fatale of her day. In 1917, she was imprisoned, accused of espionage during WWI. Awaiting death by French firing squad, she reflects on her life.

“Mata Hari” means, in Malay, Eye of the Day: the sunrise. Aletia Upstairs investigates and illuminates how Dutch-born wife Margaretha Geertruida Zelle re-invented herself as Mata Hari: woman of mystery, the first exotic dancer of Europe, and a temptress who entertained men.

“I learned two things in Indonesia: the power of my beauty over men, and the power of a dance…with every veil I threw off, my success rose. Pretending to see my dances as very artistic…they came to see nudity.” We see Mata Hari’s art of seduction, inspired by Indonesian temple dance, complete with veils and exotic headpiecesShe created a mythology around herself, and became the most desirable woman in Belle Epoque Paris. Mata Hari was much admired by officers, for whom she had a particular passion. She was accused of accepting German money to spy on the French.

“But I beg you to believe me, I never did a single act of espionage against France.” Recruited as a counter-spy in a trap to execute her, she was sentenced to death. She faced it bravely – standing upright, wearing her corset. Mata Hari saw her death as her final performance.

“I am alone. I will defend myself, and if I must fail, it will be with a smile of profound contempt.” Proved posthumously (as late as 1985) to have been framed by the French, German and British intelligence, Mata Hari was possibly punished for her sensuous, licentious lifestyle.

An archival, immersive cabaret show about the ultimate femme fatale who paid the ultimate price. Written by Aletia Upstairs, based on verbatim taken from letters and interviews with Mata Hari and interspersed with dance and songs in French and Dutch. Selections include “My Death”, “Twenty-Five Minutes To Go”, “When You’re Down and Out” and Aletia’s own compositions “She Cries” and “Catch Me When I Fall”.